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P. des Molins (composer) : ウィキペディア英語版 | P. des Molins (composer)
P. des Molins, probably Pierre des Molins, (fl. mid-to-late 14th c.) was a Parisian composer of the fourteenth century. His name is given as "P. des Molins" in the Chantilly Codex and as "Mulino" in the codex, Paris, Bibl. Nat. MS ital. 568. He is the composer of two works, both among the most transmitted pieces of fourteenth-century music, particularly in Italy and German-speaking lands: the ballade ''De ce que fol pensé'' and the rondeau ''Amis, tout dous () vis''.〔Reaney, Gilbert. "Molins, P(ierre) des," ''The New Grove Dictionary of Music and Musicians,'' Second Edition (London: MacMillian, 2001).〕 ==Biography== No secure biographical information about Molins exists. In several sources, the title of ''Amis, tout dous () vis'' is given as "The mills of Paris," (''Molendium de Paris, Die molen van Pariis,'' and ''El Molin de Paris''), probably misconstruing the name of the composer (''Molins'' means mill) as the title of the piece.〔Günther, Ursula. “Die Musiker des Herzogs von Berry,” Musica Discipina 17 (1963), pp. 79–95.〕 Craig Wright has suggested that he was the musician in the court of Jean II, King of France, named "Perotus de Molyno," placing him in England from 1357 to 1359.〔Wright, Craig. ''Music at the Court of Burgundy, 1364–1419'' (Henryville, Penn: Institute of Medieval Music, 1979), p. 17〕 The reference to the "languid en estrange contrée" in ''De ce que fol'' could refer to the captivity of the court under King Edward III.〔Strohm, Reinhard. “The Ars Nova Fragments of Gent,” ''Tijdschrift van de Vereniging voor Nederlandse Musiekgeschiedenis'' 34 (1984), pp. 109–31: 125.〕 Earlier, Suzanne Clercx and Richard Hoppin suggested that he could have been the ''Petrus de Molendino, civis parisiensis'' mentioned in connection with Pope Clement VI in 1345.〔Clercx-Lejeune, Suzanne and Richard Hoppin. “Notes biographiques sur quelques musiciens français du XIVe siècle,” ''Les Colloques de Wégimont II—1955, L’Ars nova: Recueil d’études sur la musique du XIVe siècle'' (Paris: Les Belles Lettres, 1959), pp. 63–92.〕 Ursula Günther has connected him tentatively with a ''Perrotum Danielis alias del moli'' from a document from 1387 or as the chancellor of the Duke of Berry, ''Philippe de Moulins'' mentioned in 1368 and 1371.〔
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